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The Anti-Scale Manifesto

august 11, 202511 min read
startupsfoundersproblem-solvingcustomer-researchproduct-market-fit

When talking about founder-led sales, image is nearly cinematic: the heroic founder charging out into the wilderness, armed with a pitch deck and a dream, conquering the market by selling to anyone with a budget and a heartbeat.

But this lore quietly collapses under the weight of lived experience.

The companies that endure-the ones with deep moats and irrationally loyal customers-aren’t built by chasing everyone. They’re built by founders who curate.

And curation begins with resisting the most seductive trap in the early days: the illusion of optionality.

The Optionality Trap

Most early-stage founders believe optionality is power. They spread their bets-pitch decks with six market segments, features that could work for five different personas, all in the name of “staying flexible.”

But what feels like flexibility is often fear in disguise. Fear of saying no. Fear of narrowing. Fear of being “too specific.” Optionality becomes fear in a strategy costume: the fear of committing, the fear of losing a sale, the fear of betting wrong.

Somewhere between a half-built MVP and the first five sales, every founder feels the gravitational pull of optionality. You’re in a meeting with your early team when someone says, “What if we also made it work for X use case?” Or you’re pitching an investor who leans in and asks, “It’s cool… but could this work for e-commerce too?”

And that’s how it starts-the stretching, the pleasing, the slow death by a thousand yeses.

Why Wide Stories Are Weak Stories

The more use cases you can explain, the less believable your pitch becomes. The more you try to be for everyone, the more you disappear into the white noise.

Wide stories are built to inspire, not to be believed. They're designed to paint a future, signal ambition, win attention. And in that first moment-when you're still at arm's length-it works. The investor nods. The press loves the soundbite. The team gets hyped.

But when inspiration wears off, the user is left with a simple, honest question: "Okay, but does this actually work for me?"

The Cost of Optionality Is Remarkability

If your product is trying to please everyone, you end up pleasing no one. There's a reason Seth Godin's Purple Cow has become gospel: people don't talk about good. They talk about different. They talk about things that are unignorable. That have sharp edges. That aren't trying to please everyone.

When you optimize for optionality, you shave off those edges. You build in vague middle-zones, hoping to attract more people. But what you're really doing is becoming invisible.

The Sharp Edge of Focus

There Are No Wide Wedges

A thin wedge, by contrast, is sharp, precise, and slices through a market, cutting away all the unnecessary noise. The beauty of the thin wedge is that it doesn't try to do everything. It's about finding that singular thing you can do exceptionally well for a specific audience.

Every startup gets one chance to enter the market with a sharp story. A true wedge is a single, painful, non-negotiable use case. A clear "we do this one thing better than anyone else."

The Walkman Lesson

When Sony launched the original Walkman in 1979, it went against everything the market thought it wanted. At the time, most portable audio devices were radio-cassette recorders-big, clunky boxes that could play and record.

But the Walkman didn't have a radio. It didn't have a recorder. It didn't even have speakers. It was only for listening to cassette tapes-privately, through headphones. That's it.

Critics laughed. Why would anyone want a music player that couldn't even record? But Sony knew what it was doing. The Walkman wasn't a watered-down version of a recorder. It was a sharp, intentional product built around a very specific behavior: People wanted to listen to music privately, on the go.

The Walkman didn't succeed in spite of what it lacked. It succeeded because of what it lacked.

Focus Is the Fastest Path to Scale

It sounds paradoxical, but the companies that break out do so because they earned the right to scale their narrative. Not because they started with a narrative big enough to impress a Series A partner.

You need a small group of people for whom your product is life-changingly right. Make something so true for a small group of people, that the story travels on its own.

Finding Your Edge Cases

The Underserved Few

When a product is born, it's often imperfect-jagged in all the wrong places, lacking polish, and missing entire categories of features. To most potential customers, it's a non-starter. But every so often, there exists a small, highly specific subset of users for whom these missing features aren't blockers. In fact, they may even see those absences as strengths-signs that the product is focused on the exact pain they've been quietly struggling with.

These are not generalist customers. They're not the median. They're the edge cases-the underserved few whose needs are sharp, urgent, and unmet by the mainstream where your product delivers focused, unforgettable value.

What Is Fit?

Fit is when someone hears what you do and says: "Oh my god, where have you been? I've needed this for months."

It's when someone buys in despite your missing features because the one thing you do nail is exactly what they can't live without.

It's when they start resharing your slide deck before you've even sent the follow-up email.

It's the vibration you feel in a conversation when someone leans in and asks: can I try this right now?

That's fit. And fit is how companies get built.

Sales Is the Best Discovery

Many founders fall into Social LARPing. Social LARPing is when you test an idea in ways that feel like validation but aren't real commitments-storyboards, interviews, mock scenarios-where everyone is essentially "role-playing" what they might do. It's useful for exploring possibilities, but it's theater: people can signal interest without ever having to follow through.

The alternative is real market validation-putting something in front of people where they must act for real: pulling out a wallet, signing up with a credit card, or otherwise committing resources. That's where you see true demand, without the sugarcoating of polite conversation.

Pain is messy. It's emotional. It shows up in someone's voice when they say, "Honestly, I've been duct-taping this problem for months and if your thing just did this one thing, I'd switch tomorrow."

You won't find that in analytics dashboards. You find that in a Zoom call. Or better, in person. In their world. Watching how they work, not just what they click.

The Art of Customer Curation

Curation Is a Process, Not a Discovery

Curation is not a one-time discovery. Curation is a process of recurrence.

You don't find your Ideal Customer Profile (ICP) in a spreadsheet. You discover it through lived use cases-by finding the pockets where your product, as it exists today, delivers non-negotiable value. You go deep with one customer. You understand the nuance of their workflow, the pain that brought them to you, and the outcome that keeps them paying. And then you do it again. And again. And again.

That's how durable revenue gets built: through recurring pain, solved in a repeatable way.

Case Study Replication

Rob Snyder reframes product-market fit as case-study replication. You start by selling and delivering for a single customer-earning that coveted "hell yes" moment-and then refine until that becomes repeatable. This builds a blueprint for finding and serving more customers just like them. You repel misfits and attract people who resonate deeply.

Start by building case studies. Find the customer stories that make you proud. Then build a sales process that finds people living through that same story, again and again. In traditional GTM, we talk a lot about firmographics and personas-industry, company size, titles, verticals. But these are often coincidental, not causal. More often, it's a shared problem architecture, not a shared org chart.

The Quality of Revenue Matters

Not all revenue is created equal. Revenue is more than numbers-it's stickiness, referrals, clarity, and conviction. Early revenue from poorly-fit customers is seductive but dangerous. It drives roadmap distractions, increases support load, and pollutes the signal from your best-fit users.

By curating your early customers, you're choosing high-quality revenue: users who stay longer, refer more, churn less, and demand features that align with your long-term vision. Curated revenue builds efficient sales decks, predictable pipelines, and high retention rates.

Choosing Constraint Over Possibility

Earning the Right to Build

Just because you can build something doesn't mean you've earned the right to. Every great startup is a slow, painful act of restraint.

Founders are builders. They have the urge to create, expand, improve. But adding more too early pollutes the signal, confuses the narrative, and fragments your energy.

"Earning the right to build" means you have evidence in the form of felt, recurring, undeniable pull from the right kind of user-and you've honored that pull, not gamed it.

The Founder's Paradox

Founders are wired to break constraints. To defy limitation. That's what gets them to start in the first place-refusing to accept the world as it is, bending reality to fit their vision. This wiring is essential to company creation.

But the early product stage is not the time for that kind of maximalism. This is not where you broaden. This is where you sharpen.

And here's the paradox: the best founders are the ones who have the self-awareness to choose constraint, even though their whole life has been about resisting it.

Editorial Taste

Every great founder eventually develops a second muscle. Not the builder's instinct-but the editor's. The taste to say no.

The product becomes a statement. A line in the sand. A declaration of what matters.

It takes courage to be specific. It takes courage to say: "We solve this very particular pain, for this very particular kind of user, in this exact kind of way."

Learning Faster Through Focus

You Don't Win by Shipping Fast, You Win by Learning Fast

Everyone talks about "move fast and break things" and "speed is the ultimate advantage." But if you look closely-not at the slogans, but at the startups that actually win-you start to see something else.

What really matters-especially in the early stage-is your learning rate. How quickly you can close the loop between what you build, how it performs, what your users do with it, and how you respond.

But you cannot learn the right things when your customer base is scattershot. When everyone wants something and no one wants the same thing, you get bugs, feedback, feature requests-but none of it lines up. Every new release becomes a shot in the dark.

That only comes from customers who are close enough to care, and desperate enough to tell you the truth. And that only happens when you're building for someone real-not everyone hypothetically.

Curation at Scale

Palantir's Investor Curation

If you think this principle only applies to startups, look at Palantir. Palantir is one of the most misunderstood companies on the public market-and that's by design. Wall Street has tried, for years, to make sense of its business: is it software or services? Is it a consulting company with a tech wrapper?

But here's the thing: Palantir doesn't care. They've curated their investor base just like a startup curates its first 10 customers. They aren't trying to convince Wall Street analysts who don't believe in their vision. They aren't interested in winning over hedge funds playing quarterly games.

Palantir doesn't have to answer to the market. They only have to answer to their market. That's the power of belief-led curation.

The Curated Path Forward

Three Questions for Early-Stage Founders

If you're an early-stage founder, ask yourself:

  1. Who are the 3–5 customers who got it instantly?
  2. What did they tolerate that others didn't?
  3. What story did they resonate with, and how can you tell it better?

Find them. Speak to them. Serve them obsessively. Ignore the rest.

The Choice

You don't have to be for everyone. In fact, you shouldn't be.

There's a quiet rot that spreads in companies that accept any dollar. The support burden balloons. Margins shrink. The story starts to drift. And then, worst of all: nobody's quite sure who the product is really for anymore.

Curation is not elitism. It's product-market truth finding. It's the willingness to go deep, not wide. To double down on what works, rather than chase what might. It's about being honest enough to say: "We're not for everyone-but we're everything for a certain someone."

The Quiet Art

There is a quiet art to building something durable. It's not always loud. It's not always flashy. But it starts with treating your customers not as targets to acquire, but as partners to curate.

In the earliest days, you don't find customers. You curate them. They're not just tolerant-they're excited. Their pain is recurring. Their use case is repeatable. Their conviction is contagious.

And once you find it, your job is no longer to "go to market." It's to curate the hell out of it.


"We are not for everyone. But if you're this, we are the best in the world."

The companies that win don't chase the biggest market. They find the reef. They stay close to it. They build for it obsessively. And the sooner you let go of everyone else-the faster you become indispensable to the right ones.